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| Introduction | |
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| The Vocabulary of Introductory Terms | |
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| The Evolving Nature of Art | |
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| The Three Components of Art | |
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| Subject | |
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| Form | |
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| Content | |
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| Organic Unit Y | |
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| Abstraction | |
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| Expanding Personal Awareness | |
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| Developing Ideas | |
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| Critical Thinking and Analysis | |
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| Basic Concepts of Two-Dimensional Art 2D Media and Techniques | |
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| Basic Concepts of Three-Dimensional Art 3D Materials and Concepts | |
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| Areas of 3D Applications | |
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| Sculpture | |
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| Architecture | |
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| Metalwork | |
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| Glass Design | |
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| Ceramics | |
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| Fiberwork | |
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| Product Design | |
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| Combining the Ingredients: A Summary | |
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| Form | |
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| The Vocabulary of Form | |
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| Form and Visual Ordering | |
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| The Principles of Organization | |
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| Harmony | |
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| Repetition | |
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| Rhythm | |
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| Pattern | |
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| Closure (Visual Grouping) | |
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| Visual Linking | |
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| Shared Edges | |
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| Overlapping | |
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| Transparency | |
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| Interpenetration | |
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| Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) | |
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| Excessive Use of Harmony | |
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| Variety | |
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| Contrast | |
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| Elaboration | |
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| The Dualism of Harmony and Variety | |
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| Balance | |
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| Symmetrical Balance (Formal Balance) | |
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| Approximate Symmetrical Balance | |
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| Radial Balance | |
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| Asymmetrical Balance (Informal/Occult Balance) | |
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| Proportion | |
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| Dominance | |
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| Movement | |
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| Economy | |
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| Space: Result of Elements and Principles | |
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| Three-Dimensional Form and the Principles of Organization | |
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| Harmony and Variety | |
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| Balance | |
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| Proportion | |
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| Dominance | |
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| Movement | |
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| Economy | |
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| Form Unit Y: A Summary | |
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| Line | |
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| The Vocabulary of Line | |
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| Line: the Elementary Means of Communication | |
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| The Physical Characteristics of Line | |
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| Measure | |
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| Type | |
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| Direction | |
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| Location | |
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| Character | |
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| Line and the Other Art Elements | |
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| Line and Shape | |
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| Line and Value | |
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| Line and Texture | |
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| Line and Color | |
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| The Spatial Characteristics of Line | |
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| Line as Representation and Expression | |
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| Three-Dimensional Applications of Line | |
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| Summary | |
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| Shape | |
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| The Vocabulary of Shape | |
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| Introduction To Shape | |
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| Shape Types | |
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| Shape Dimensions | |
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| Shape and Composition | |
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| Harmony and Variety | |
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| Dominance | |
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| Movement | |
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| Balance | |
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| Proportion and Economy | |
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| Shape and Expressive Content | |
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| Three-Dimensional Applications of Shape | |
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| Value | |
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| The Vocabulary of Value | |
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| Introduction to Value Relationships | |
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| value and Art Media | |
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| Plastic Value | |
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| Chiaroscuro | |
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| Tenebrism | |
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| Decorative Value | |
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| Value Pattern and Composition | |
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| Three-Dimensional Applications of Value | |
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| Texture | |
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| The Vocabulary of Texture | |
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| Introduction To Texture | |
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| The Nature of Texture | |
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| TYPES oF TEXTURE | |
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| Actual Texture | |
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| Simulated Texture | |
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| Abstract Texture | |
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| Invented Texture | |
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| Texture and Pattern | |
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| Texture and Composition | |
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| Texture and Space | |
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| Texture and Expressive Content | |
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| Three-Dimensional Applications of Texture | |
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| Color | |
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| The Vocabulary of Color | |
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| The Characteristics of Color | |
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| Light: the Source of Color | |
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| Additive Color | |
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| Subtractive Color | |
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| Artists' Pigments and the Triadic Color System | |
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| Neutrals | |
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| The Physical Properties of Color | |
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| Hue | |
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| Value | |
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| Intensity | |
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| Developing Aesthetic Color Relationships | |
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| Complements and Split-Complements | |
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| Triads | |
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| Tetrads | |
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| Analogous and Monochromatic Colors | |
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| Warm and Cool Colors | |
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| Plastic Colors | |
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| Simultaneous Contrast | |
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| Color and Emotion | |
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| Psychological Application of Color | |
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| The Role of Color in Composition | |
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| Color Balance | |
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| Color and Harmony | |
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| Color and Variety | |
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| The Evolution of the Color Wheel | |
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| The Origins of Color Systems | |
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| The Discovery of Pigment Primaries | |
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| The First Triadic Color Wheel | |
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| The Discovery of Light Primaries | |
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| The Ostwald Color System | |
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| The Munsell Color System | |
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| The Process Color System (Four-Color Printing Process) | |
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| Color Photography | |
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| Color Computer Printing | |
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| Three-Dimensional Applications of Color | |
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| Space | |
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| The Vocabulary of Space | |
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| Introduction To Space | |
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| Spatial Perception | |
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| Major Types of Space | |
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| Decorative Space | |
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| Plastic Space | |
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| Shallow Space | |
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| Deep and Infinite Space | |
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| Spatial Indicators | |
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| Sharp and Diminishing Detail | |
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| Size | |
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| Position | |
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| Overlapping | |
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| Transparency | |
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| Interpenetration | |
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| Fractional Representation | |
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| Converging Parallels | |
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| Linear Perspective | |
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| Major Types of Linear Perspective | |
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| One-Point Perspective | |
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| Two-Point Perspective | |
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| Three-Point Perspective | |
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| Perspective Concepts Applied | |
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| The Disadvantages of Linear Perspective | |
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| Other Projection Systems | |
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| Intuitive Space | |
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| The Spatial Properties of the Elements | |
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| Line and Space | |
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| Shape and Space | |
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| Value and Space | |
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| Texture and Space | |
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| Color and Space | |
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| Structured Ambiguity | |
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| Three-Dimensional Applications of Space | |
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| Time and Motion | |
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| The Vocabulary of Time & Motion | |
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| The Search for a New Spatial Dimension | |
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| Pictorial Representations of Movement in Time | |
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| Implied Motion through Line Direction or Shape Position | |
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| Sequenced Images | |
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| Multiple Viewpoints | |
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| Superimposed and Blurred Images | |
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| Motion Pictures: Film & Video | |
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| Computers & Multimedia | |
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| Three-Dimensional Applications of Time & Motion | |
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| After Images: A Timeline of Artistic and Stylistic | |
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| Comparisons | |
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| Glossary | |
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| Bibligraphy | |
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| Index | |